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Bodies which might not even be understood to be sexual by viewers conditioned into seeing only the trope of white/blonde/muscled Chelsea-boy as peak desirability.īruno! I’m so pleased and grateful that you found my way to this site and got in touch. Tom’s men stood in sharp contrast to the crass stereotypes and mincing, effeminate caricatures of men who had sex with men which lined the eras preceding it (most particularly in western culture and media).īruno B.’s work is a part of that same canon, and his contribution is significant in its sexualizing of masculine bodies that don’t necessarily fit the mold of the ToF men.
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It glorified a freedom from the bondage of monogamy, and from the confines and crushing walls of normalized hetero-fixed engagement. One of the reasons Tom’s work is still so significant and so often imitated is that it gave life and permission to the image of homosexual bodies and sex, to be masculine and alluring and enticing. We are able to instantly acquire erotica that suits our particular tastes and moods and find reassurance and validation in our desires on forums and blogs (like this one!) largely with ease.īut it wasn’t very long ago that artists like Tom of Finland were creating depictions of sexualized male bodies and sexualized scenarios between men that could be described no way other than groundbreaking. The everpresence of pornography and the ubiquity of unlimited access via the internet is just creating that circumstance the way the moon creates the tide. shares his thoughts on the enduring popularity of his comics and illustrations of ruggedly masculine dads and builders.Īs we move along into the future, depictions of sex between men – sex that is joyful and positive and exciting and good, not just bleak and shameful and confusing – become more and more normalized. The reserved French artist known simply as Bruno B.